游荡柏林

麻烦后面的豆友对这个到处贴机翻图的@大月半子 进行举报封号处理，点进他的页面，头像右下角更多选项中选投诉项并对这个**做拉黑处理

“冷漠生硬缺乏公共空间，全是交通空间的城市里能有爱情吗？“ 就是太生硬了 所有人都愣愣的 结尾突然蹦一段大道理教诲观众实在好偷懒 对陌生的脸充满**是件正常的不得了的事吧

4.5很喜欢 女主一边在给侯麦的《夏天的故事》做配音，一边在城市游荡，一如上演侯麦的《午后之爱》。演员的步态及夜晚呈现出布列松《梦想者四夜》的感觉。

爱总会跟随视线转移得很快，是这样的，你能说自己不虚无吗

Romantic relationship is invented in 18th century

In Thomas Arslan’s films, his solitary characters often wander. Whether it is with defined purposes, like the cold thrill of a new heist *** in underworld Berlin, or **** elusive ones where the **** becomes its own maze for reticent self-reflection—the spaces they pass through reveal a subtler internal tension beyond its overt narrative. Words spoken merely provide a clue to what is brewing under the surface, and even when the stakes are high, Arslan’s restrained visuals and minimalist environments render an element of quotidian drawl amongst life’s complexities. //Debbie Zhou. Wandering and Searching: Thomas Arslan’s ‘A Fine Day’[EB/OL]

2017017 非常**的德国话痨片。现代情感话题的探讨，包括恋爱、亲情及与工作的关系。

这什么译名啊？哪里有一点浪荡了！！？？哭了！！女主人公就在柏林的地铁里走啊走啊走啊走啊，连背景音乐都没，都快睡着了！！然后大家还来讨论德国的土耳其**问题？？全电影里就女主角**亲说了几句土耳其语，女主角还是用德语回复的，其他的没看出有毛线关系＝＝

plenty of scenes took place in U bahn and S bahn which haven't changed much today. ****** plot, long dilogues, and the costume of the protagonist is really a little bit rustic, maybe it just let the story seems **** authentic.....seems **** like a video than a movie.